All of Slam Dunk Festival is always a highlight, but these were the acts that truly went above and beyond to impress us this year. For many fans of alternative and pop-punk music, the May bank holiday weekend has become synonymous to the annual Slam
Celebrating 10 years of their Nothing Personal album, All Time Low were the perfect finish to an extravagant Slam Dunk 2019. Come sun or rain, nothing can quite dwindle the passion at Slam Dunk Festival and despite the bouts of drizzle that accompanied this year’s
Suddenly, our level of ghosting people doesn’t seem so bad in comparison to Marika’s in her newest video for i’m not where you are. UK’s Marika Hackman hasn’t been one to shy away from tackling personal themes in her music, and the recent i’m not where you are follows
Channelling feelings of dissatisfaction into a sweet tune, Havelock manages to depict the not-so-glamorous reality of work with tongue-in-cheek lyricism that is sure to resonate with listeners. London-based Havelock is only one amongst the 50% of people who aren’t keen on their jobs, yet what marks him
With a plethora of acts spread across 8 stages for the 2019 instalment of Slam Dunk, festival-goers are spoilt for choice for who they want to see. The bank holiday weekend is creeping up, and we all know what that means – it’s time for
Filled with intent-laden hooks, the newest single from Yonaka is an emotional tour de force. Brighton-based quartet Yonaka share another offering in the form of title track from their debut album Don’t Wait ‘Til Tomorrow, which will be released on May 31st via Asylum Records. The release
Bold and brash, On Video sure know how to write a swinging sophomore single. If they can get a thespian to dance and rock out in their newest video, then how can you resist headbanging along? East London quartet On Video share the visuals for their
If the newest video and single from Halsey doesn’t get your blood pumping, then nothing will. If there was an anthem for the women of 2019, then Halsey’s newest single would be it. Departing from the pop influences of her earlier work, Nightmare is a more riotous, outspoken
We could feel the hurt right in our heart from John Floreani’s newest track Oh Brother. Trophy Eyes’ frontman John Floreani is known for being unabashed and honest, but this takes on a whole new meaning in his newest track Oh Brother. The track is lifted
Bringing a catchy and candid outlook on feelings of anxiety, they suddenly don’t seem quite as intimidating as girl in red works through them in dead girl in the pool. Norway’s young artist girl in red grapples with feelings that are all to common to those who
